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© Ecole des Beaux Arts de la Cambre

CREATION

Le Silence des ombres

Benjamin Attahir, Olivier Lexa

25 September 2019

World premiere on 25th September 2019.

 

 

Distribution

Conductor  Benjamin Attahir 
Director  Olivier Lexa
Set design and costumes  Milena Forest, Clémentine Gome Geil, Charlotte Hermant, Arnaud Mathieu, Léa Pelletier, Gabrielle Ritz, Marco Sanchis, Lynn Scheidweiler, Charlotte Seegmüller – students of the scenography department of École nationale supérieure des arts visuels de La Cambre, supervised by Véronique Leyens & Simon Siegmann
Lighting  Alexander Koppelmann 

 

LA MORT DE TINTAGILES


Tintagiles  Julia Szproch
Ygraine  Raquel Camarinha 
Bellangère  Clémence Poussin
Aglovale  Renaud Delaigue
Servante 1  Morgane Heyse
Servante 2  Gwendoline Blondeel 
Servante 3  Sarah Théry 

 

INTÉRIEUR


Marie  Raquel Camarinha 
Marthe  Clémence Poussin 
Un Paysan  Pierre Derhet 
L’Étranger  Sébastien Dutrieux 
Le Vieillard  Luc van Grunderbeeck 

 

ALLADINE ET PALOMIDES


Alladine  Julia Szproch 
Astolaine  Raquel Camarinha
Palomides  Pierre Derhet
Ablamore  Renaud Delaigue 
Soeurs de Palomide 1  Morganse Heyse 
Soeurs de Palomide 2  Gwendoline Blondel 
Soeurs de Palomide 3  Clémence Poussin
Soeurs de Palomide 4  Sarah Théry
Médecin  Sébastien Dutrieux 

This new opera by French composer Benjamin Attahir called Le Silence des ombres is based on the Trois petits drames pour Marionnettes by Maurice Maeterlinck, a work that challenged the theatrical conventions of its day.

 

 

THE STORY

 

The first story called La mort de Tintagiles sees Ygraine revolt and try to free the title-character from the grip of a terrifying invisible queen. Intérieur is the second story in which an old man and a stranger observe at a distance the happiness of a family and delay to announce to them the bad news which they carry: one of the young daughters has been found dead. The third and last story tells how Alladine and Palomides fall in love while locked inside the subterranean parts of King Ablamore’s castle.

 

Each of the Trois petits drames uses powerful effects combined with an amazing economy of means; they share many theatrical devices as silence, stifled cries, the invisible, and chiaroscuro, creating a sustained visual and auditory stimulation. The suspense is so powerful that it recalls the great masters of the thriller and horror film genres.

 

THE STAGING CONCEPT
 

This staging aims to open the audience’s imagination to a new kind of dream-world dread. It is both inspired by neo-gothic symbolism and contemporary art; it is also based on an elaborate body language expressed by the characters, using semi-choreographed gestures as leitmotivs. The highly distinctive aesthetics of the scenery, costumes, lighting and the punctual use of video reinforce the dramatic tension of the work’s three parts, thus creating the universe of Le Silence des ombres.

 

THE CREATIVE PROCESS
 

The composition of the score by Benjamin Attahir is developed in close collaboration with the artistic team responsible for staging the work, led by dramaturge and director Olivier Lexa.

 

THE ARTISTIC TEAM
 

Despite his youth, composer Benjamin Attahir has already received international prizes, won international competitions and has been invited as composer in residence by the Villa Medici, the Gstaad Festival and the Orchestre national de Lille. He has recently written commissions for Daniel Barenboïm and Staatskapelle Berlin and for Renaud Capuçon. He has not yet brought an opera to the stage - even if he already composed two operatic works for voice. Nevertheless, Attahir considers the scene staging as the backbone of his musical writing and draws his inspiration midway between East and West.

 

Dramaturge and director Oliver Lexa has up until now mostly worked around early baroque italian opera in Italy (Teatro la Fenice, Teatro alla Scala), in France and for La Monnaie, but has set himself to works of all ages and all styles based on symbolism and escape from the daily realism. He has extensively published, most recently a fascinating book on Monteverdi and Wagner as the main representative opera composers in a neo-platonist current of creation. He is highly attuned to the imaginary world of Maeterlinck, which led to this commission by Peter de Caluwe, Intendant of La Monnaie in Brussels who is also a declared Maeterlinck champion.

 

Students from the Brussels École Nationale Supérieure des Arts Visuels de la Cambre develop the costumes and set. This project therefore offers a great opportunity of professional integration for the students.

 

With one exception, all soloists are students or laureates of the MM Academy or the Queen Elisabeth Music Chapel or from participants of the enoa network.

 

Le Silence des ombres is developed in the framework of enoa in close collaboration with other members of the network: Queen Elisabeth Music Chapel, Les Théâtres de la Ville de Luxembourg and Teatr Wielki - Polish National Opera.

 

Le Silence des ombres has been shortlisted for the Opera Prize of Fedora which supports promising teams who collaborate on the creation of new opera.  

Co-production

A co-production with the Queen Elisabeth Music Chapel, Les Théâtres de la Ville de Luxemnbourg,Teatr Wielki-Polish National Opera 


A co-realisation La Monnaie / De Munt and KVS (in the framework of TROIKA)

 

With the support of enoa and the Creative Europe Programme of the European Union
 

 

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