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#EmpoweringOpera
Latest news
Link In My Bio
Lab
14 March 2023
enoa productions
The Carmen Case
Alexandra Lacroix & Diana Soh
11 - 12 January 2024
Les Théâtres de la Ville de Luxembourg
CREATION
The Golden Stool, or the story of Nana Yaa Asantewaa
An AfrOpera by Gorges Ocloo
27 - 30 April 2023
Latest news
Artist in residency
2023/2024 immersive residency programme
03 February 2021
Training
Creative connections: practical workshop to gain outreach skills
mentored by Mark Withers
02 - 05 May 2023
Theaterakademie August Everding
Training
Vocal technique and Ukrainian vocal music
with Olga Pasichnyk and Andriy Yurkevych
23 - 30 April 2023
Teatr Wielki – Polish National Opera
Training
Collaborative Composition for Cross-Cultural Ensembles
“An orchestration of personalities”
26 - 28 April 2023
LOD muziektheater
Training
The conductor as dramaturg
approaching the conducting of new operas in a spirit of collaboration and experimentation
22 - 26 August 2023
Britten Pears Arts
Training
Women Opera Makers 2023
mentored by Katie Mitchell
10 - 14 July 2023
Festival d’Aix-en-Provence
Latest news
Opera Creation Journey #2
selected project
04 January 2023
Latest news
The State of her
Lab
02 January 2023
Latest news
The Girl without hand
Lab
17 December 2022
Training
immersive residency
Immersive Residencies #2
open call
Feb 23 > March 24
Training
The rise and fall of Don Giovanni
mentored by cabosanroque
12 - 18 December 2022
Palau de les Arts Reina Sofía
Training
New narratives and speculative imaginaries
mentored by Stacy Hardy
08 - 10 December 2022
LOD muziektheater
Training
Directing performance - interpretation and rehearsal process
mentored by Tim Hopkins
24 - 28 October 2022
Operosa
Training
Towards a new Dramaturgy?
mentored by Luc Joosten & Wout van Tongeren
09 - 12 November 2022
Dutch National Opera
Latest news
Link In My Bio
Lab
Latest news
Glitter Balls
Lab
Training
Women Opera Makers Workshop
with Katie Mitchell
08 - 12 July 2022
Festival d’Aix-en-Provence, Aix-en-Provence, France
Latest news
THIS is enoa!
06 April 2021
Latest news
To our Sisters, to our Brothers
teaser
19 January 2022
Latest news
Opera Creation Journey #1
Selected projects
05 October 2021
Latest news
Interview of Caitlin Smith
“Opera feels like a very current art form to me”
05 January 2022
Training
opera creation journey
Opera Creation Journey #2
open call
Nov 22 > Feb 24
Latest news
Zelle
meet the artists
23 September 2021
Latest news
Zelle
teaser
27 September 2021
Training
Bootcamp: from classical to modern music
masterclass by Topi Lehtipuu
24 - 29 January 2022
Theaterakademie August Everding
enoa productions
To our Sisters, to our Brothers
[Zu Unseren Schwestern, Zu Unseren Brüdern]
20 January 2022
Latest news
Carmen Case
Ep. 2 A creative dive into Carmen by Bizet
23 March 2021
Latest news
enoa manifesto
convictions and beliefs
27 September 2020
Latest news
A new associated partner joined the network
Welcome to RESEO!
09 March 2021
Latest news
A Song for the Moon
meet Mathilde Wantenaar & Béatrice Lachaussée
13 April 2021
Latest news
Interview with the composer Jamie Man for her opera Zelle
It’s about creating an expectation and then breaking that expectation. You might say the whole piece is a game of mix and match.
07 November 2021
Latest news
EMPOWERING OPERA: BREAKING BOUNDARIES FOR INSTITUTIONS AND ARTISTS
A new programme for 2020-2024
08 July 2020
Latest news
A Song for the Moon
trailer
13 April 2021
Training
immersive residency
Immersive residencies - for artists without significant opera experience
Open call
15 October - 15 December 2020
Latest news
Vote for "Zelle" and "Like Flesh" at the Fedora Prizes!
new operas supported by enoa
02 February 2021
Training
opera creation journey
Opera Creation Journey
Open call
15 December - 03 January 2020
enoa productions
opera for young audience
A Song for the Moon
Mathilde Wantenaar, Béatrice Lachaussée
22 October - 03 November 2023
Dutch National Opera
in the making
Façon tragique de tuer une femme / Tragic Ways of Killing a Woman
Diana Soh, Richard Dubelski
enoa productions
Woman at Point Zero
LOD / Bushra El-Turk, Laila Soliman & Stacy Hardy
07 June 2023
Grand Théâtre de Luxembourg
enoa productions
Zelle
Jamie Man
08 October 2021
Latest news
enoa figures in a nutshell
13 May 2020
Latest news
YOUNG OPERA MAKERS PODCASTS
10 April 2020
supported by enoa
À l'extrême bord du monde
Harold Noben, Mien Bogaert
04 October 2020
Latest news
YOUNG OPERA MAKERS 2016 > 2020
11 May 2020
Latest news
enoa communiqué COVID-19
06 May 2020
Latest news
Happy anniversary enoa!
11 October 2019
in the making
opera for young audience
O Segredo do Rio
Ana Seara and Heather Fairbairn
Training
Composing for Voices with Kaija Saariaho
phase 2
18 - 19 February 2022
Calouste Gulbenkian Foundation
Training
Composing for Voices with Kaija Saariaho
phase 3
11 - 15 July 2022
Calouste Gulbenkian Foundation
Training
Opera Arias
with Antonio Pappano, Pamela Bullock & Julia Faulkner
08 - 14 August 2022
Britten Pears Arts
Latest news
Composing for voices with Kaija Saariaho
Workshops cycle
25 October 2022
Latest news
Woman at Point Zero
trailer
03 May 2023
Latest news
Woman at Point Zero
behind the scene
02 May 2023
Latest news
Immersive residency
kick-off workshop
07 May 2023
Training
The Art of Auditioning
How to prepare & train for an audition with Rosemary Joshua
03 - 06 July 2023
Dutch National Opera
about us
#EmpoweringOpera
After ten years of international cooperation in the field of training and creation, the network is convinced that the future of opera in Europe depends on opening the sector up to a more diverse range of artists, together with an expansion of the repertoire to include innovative operas reflecting the issues of the world today. enoa, with the support of the Creative Europe programme, is thus renewing its commitment to artists and creation.
Its new programme, entitled EMPOWERING OPERA: BREAKING BOUNDARIES FOR INSTITUTIONS AND ARTISTS, aims to foster, support and share innovative opera projects, conveying new narratives that are engaged with contemporary societies. Its implementation also intends to remove artistic and financial barriers as well as unconscious bias that hinder the appearance of new artistic expressions in all areas of the opera sector, from training and artist recruitment to opera production and scheduling.
The network
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